I first started talking about sibling rivalry found in King Lear here. Yep, that was me, blaming the entire tradegy of Shakespearce's play on the parent.
Similar to King Lear, a contemporary story that plays with sibling rivalries spurred on by a parent’s favoritism is Jodi Picoult’s My Sister’s Keeper, which brings the theme of sibling relationships to a new level. The older sister, Kate, has leukemia. With a horrible prognosis at how bad the disease will get and that there will be very few donor matches to save her life, her parents decide to have another child solely to be a compatible organ and blood donor for her sister. Anna’s character knows that she was only born to save her sister. She goes to court for medical emancipation when Kate needs one of Anna’s kidneys. Anna has always given whatever Kate needed, but this time she wants the freedom to make her own choices. She relays that “there are always sides. There is always a winner and a loser. For every person who gets, there's someone who must give” (Picoult).
The same sentiment rings true for the sibling rivalry in King Lear. There are the two older
sisters, Goneril and Regan, who receive portions of the kingdom only because
the favored daughter, Cordelia, who would most likely have received the entire
inheritance was disinherited when she didn’t curry favor and verbally flatter
her father. Goneril and Regan have grown up in a household where they knew they
were not their father’s favorite. That couldn’t have helped their self-esteem. From
the beginning, this poor parenting is set up when Lear declares to his
daughters, “which of you shall we say doth love us most/that we our largest
bounty may extend/where nature doth with merit challenge?” (1.1.50-52). He has
completely set them up as rivals, which we can assume he has been doing their
entire lives, which would account for their jealousies and rivalries with not
only Cordelia, but then between themselves when they turn on each other for the
affection of Edmund. Both My Sister’s
Keeper and King Lear end with
Anna and Cordelia coming to know that their parents do love them, yet
tragically they both perish anyway, Anna in a twist of fate when she wins her
rights to her own body, becomes brain-dead in an accident shortly
afterward. Another contemporary story that plays with sibling relationships
along the same vein as King Lear is East of Eden by John Steinbeck.
First Edition Cover ~ Fair Use |
East of Eden plays on the rivalry represented in the Old
Testament of Cain and Abel, with one son’s offerings being favored while the
other son’s is rejected. Charles (Cal) and Aron are twins. Aron is good-natured
and has always been favored by his father, where Cal feels that he has a
darkness inside of himself and is resentful that he can never please his
father. When he makes money to help their struggling family, he is again
rejected because his father feels that is wasn’t honest to take advantage of
the farmers. This line sums up Cal’s self-worth, “It's awful not to be loved.
It's the worst thing in the world...It makes you mean, and violent, and cruel”
(Steinbeck). Swap Cal’s feelings with the sentiments of Edmund who bemoans
being born a bastard. “My father compounded with my mother/under
the dragon’s tail and my nativity was under Ursa/Major, so that it follows I am
rough and lecherous. Fut, I/should have been that I am” (1.2.121-124). East of
Eden also ends in tragedy when Cal shows Aron the truth about their mother
being a prostitute. Aron runs off to war and is killed, which causes their
father to have a stroke and die. The father’s end is very similar to the death
of King Lear as Lear hovers over Cordelia’s corpse, crying, “And thou no breath
at all? Oh, thou’lt come no more, Never, never, never, never, never”
(5.3.315-316). Both Adam, Cal and Aron’s father, and Lear showed poor parenting
skills as they, perhaps inadvertently, favored one child over the others, and
in effect produced sibling rivalry that brought about terrible ends for all
involved. Shakespeare was brilliant in tapping into the complexity of family
relationships, creating famous rivalries between siblings that are relatable to
almost everyone.
Relationships are
complicated, especially between siblings as they grow together and try to find
their place within the family. Compound those relationships with parents who
favor one child over the others and there is a dynamic theme to explore and
bring to any audience to relate to. If a person isn’t having issues within
their own families, they will see rivalry within others, whether it is with
their friends, neighbors, work associates, or in the political arena as the
people of the Elizabethan era were entrenched in with the succession from the
Tudor line to the Stuarts. Shakespeare was able to capitalize on this because
it is something that everyone with a family can relate to. While watching a
play or movie, we relate to the characters. We feel the anger, loss, betrayal,
hope, and love, even more deeply when it involves family members. The theme of
siblings vying for attention of their parents, whether it deals with
inheritance or pleasing them will endure throughout all generations. The entire
play revolved around the test of love that Lear set up between his daughters in
dividing his kingdom. Imagine if he had not posed that question and had split
up his kingdom evenly between the three sisters. Goneril and Regan may have
stayed true to their characters and squandered their inheritance, yet Lear
would have been able to have a safe retirement and lived out his life in the partial
kingdom with Cordelia, and the conflict between Edmund and Edgar would never
have come to fruition without the interference of the two sisters supporting
him. Yet there would not have been a plot worth enduring and the theme repeated
throughout history.
Works
Credited
Shakespeare, William. “King Lear.” No Fear Shakespeare: King Lear. Spark Publishing, 2003. Print.
Steinbeck, John. East of Eden. Penguin Books, 2002 edition. Print
Piccoult, Jodi. My Sister's Keeper. Simon & Schuster, 2004. Print