Making of a Book Cover: Extracted

This is the book that took 25ish years to write. It's gone through several incarnations. It began as a short story after I read Tom Brokaw's The Greatest Generation and became fascinated with WWII. My story was about an old war veteran who had a heart attack, traveled through the tunnel of light but was ripped out of it, his soul snatched and put into the body of a dead soldier to keep fighting in an alien world's war. I titled it Do Not Resuscitate.

I loved the concept so years later I once again resurrected the story, but this time twisted it into a teen guy displaced on an alien world. I could never quite get the plot settled comfortably in my head so let it sit while I worked on other projects. It was when I was talking about it with YA author Mari Mancusi and she said, "Why don't you make the hero into a heroine?" and something finally clicked.

So no more alien world, just good old fashioned soul snatching in a scientific way right here on planet earth.

Oh but the cover...how to bring this concept into a cover... I searched long and hard until finally I found the perfect model, mainly because she was asleep and has such an innocent quality about her.

Here's the original picture I purchased from Dreamstime.com.  Actually the original picture had a green background which I had to erase, but somewhere when my laptop died and I switched over to a new one I lost the original.

Next I enlarged and off-centered it and added words. There isn't much contrast in this cover with the white on white words, but I was going for a clean and sterile "lab" type look. Also since I was still writing the book when I found this picture I was able to base Kat's look on this model, so she is an exact look for the character. 





Pretty simple and easy. Then I really started having fun. I thought it would be cool to have her eyes open on the back cover, a kind of awakening to her situation like what happens in the book.

So I bought another stock art from Dreamstime with the same cover model.
What I did next was overlay this picture on top of the other and then erase all of it except for one eye. With a bit of enlarging and tilting I got it overlaid over the closed eye and then did a little tweaking like clone-stamping her skin tone over the dark lashes beneath her closed eye and little touches like that.
Extracted back cover

I'm actually quite impressed with myself at this point. 
Next I flipped the picture so it will be a mirror image when the book jacket is folded over and viola!!!

Paperback cover of Extracted

Available at Amazon

August North Texas Romance Writers of America President's Letter

I’ve been taking this online course called LiveYour Truth by Carol Tuttle.  It’s frighteningly accurate. It basically identifies four energy movements and then helps you learn which is your dominant type and how to live in a way that you are in harmony with how your energy flows. It’s fascinating. It accurately called how my thought processes work, what my hairstyle I wear now looks like, how I deal with everyday tasks and even what my desk looks like.
Mind blown.
What does that have to do with writing?
More than you’d think.
The movement types are the typical elements of Air, Water, Fire, and Earth. Nothing new there until you really delve into it.
As an example, a Fire person is goal oriented but also compartmental. According to Carol, a Fire’s morning might look something like this: Get up, make the bed but only partway, start the coffee, shower, start doing her hair but only partway, put on makeup but only partway, and then go back to making the bed, pouring the coffee, work on the hair, work on the makeup and then back around again until all the tasks are complete. She has the ability to work on several things at the same time and successfully achieves several tasks at once.
So how that relates to an energy movement in writing is like this: A Fire will carve out her hour but won’t write straight through that hour. She’ll compartmentalize it by writing 10 or 15 minutes and then will get up to feed the dogs or check in with her writer pals on Chatzy orTwitter and tell them where she’s at with her goal, or some other task. Then back to writing for another segment of time and up again to complete another task, then back to writing. That suits her creative energy perfectly.
For me, things like Chatzy drive me crazy. But I’m a Water. Like a slow curving river. When I’m writing, I don’t want any distractions. My course is set. (Heavy plotter.) I even write in longhand because my creative energy flows much better in the movement of swirls and continuous cursive. Like that river. The tap tap tap on a keyboard just doesn’t do it for me. I also have to work from beginning to end. No jumping from one scene to another back and forth like an Air or Fire can both do and pull it all together into something fabulous.
Speaking of Air. These writers are light and fun. I’d guess they tend to have more humor in their stories. They also have a million ideas rapid firing in their brains. They are the ones who have ten manuscripts started, yet have a difficult time finishing one before another idea lassoes their attention. Air energy people need good critique partners and deadlines to hound them to finish. These writers will also tend to be predominantly pantsers because that’s way more fun. They are also most likely the writers who love to make collages of their characters for inspiration.
Then there’s the energy of the Earth. I imagine these writers sitting at the same place every time they write with both feet flat on the floor and posture straight.  They are also the heavy thinkers and perfectionists. They think long and hard before beginning a manuscript and plot everything out and then second guess themselves as they rethink everything. They’ll edit a chapter several more times than the rest of us before it’s deemed good enough for them.  They tend to take much longer to write a full manuscript but the words are extremely powerful when they are done.
As you can tell, I’ve been enjoying learning about my true nature in a lot of aspects of my life. (And secretly trying to guess what each of yours are.)  Writing is just one aspect, but understanding my own energy movement gives me permission to not worry about writing exactly the same way as another or trying to achieve the same word count or  wonder why a process that works so well for someone else totally fizzles for me.  I enjoy my process so much more now that I better understand why I do what I do and appreciate the creative energy flow of what works well for other writers without getting frustrated trying to emulate something that won’t necessarily work for me, or even better, discovering the things that do. 
So did you recognize yourself in any of these processes? Have a little bit of all of them in you?


Clover Autrey

NTRWA President